We laugh at those now but Hollywood FX had to begin somewhere. Some people believe that there is an over reliance on unique effects, to the detriment of story and characterization.
Matte painted backgrounds and miniature models served motion pictures well for a very long time, enabling futuristic motion pictures such as Fritz Lang's Metropolis. A combination of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful look real, in motion pictures that included Jason and the Argonauts and The Golden Voyage of Sinbad. War motion pictures that needed sea fight footage utilized miniature models in big water tanks. This, and a method referred to as taking a trip matte, produced the splitting of the Red Sea scene in The Ten Commandments. No wonder was beyond the power of special effects experts.
Further development came when effects manager Douglas Trumball developed new methods for the last trip in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas rose to the challenge and amazed audiences with Star Wars in 1977. His group invented a new computer managed video camera that improved repeated camera movement and widescreen shots. Lucas then formed Industrial Light and Magic, the business that has actually originated Hollywood FX ever since.
Today, we are utilized to the concept of movies being shot with a blue screen and the background being included later. Computer Graphics Imaging (CGI) dominates the scene now. Any item or person can be manipulated by the computer and mixed in with the live action. This method was put to fantastic use in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects team at Pixar has actually presented it to their complete length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are almost gone. The Weta workshop in New Zealand has actually developed a credibility as one of the best unique effects business, particularly considering that the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of innovation is out of the bottle. Hollywood FX has made the return of the impressive film possible.
We laugh at those now however Hollywood FX had to start someplace. A mix of miniatures and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic appearance real, in movies that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has actually pioneered Hollywood FX ever given that.
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